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Shakespeare tragédiájának gyönyörű töredékeiből álomszerűen szővödik össze Júlia története. Júlia két hangon és nyelven (angol-magyar) szólal felidézve azt a sűrű, búja és végzetes hat napot, mely szenvedélyt és kétségbeesést, gyászt, nászt és halált hozott neki. A magyar nyelven játszó Ubrankovics Júlia, aki a 40. Magyar Filmszemlén elnyerte a legjobb színésznő díját és Sophie Thomson, aki Londonból érkezett Budapestre a nővévállás rítusaként, középkori dalokkal, hús-vér eleven erővel és bájjal idészik meg Shakespeare legszebb szellemét: Júliát. In this bilingual (English and Hungarian) performance beautiful fragments of Shakespeare's tragedy evoke Juliet as an eternal memory, as a waking dream. She re-lives those sweet, dense and dark six days that brought her passion and desperation, grief and joy and her untimely death. Ubrankovics Julia who plays in Hungarian has recently received the prize for best actress on the 40th Hungarian Filmweek. Together with Sophie Thompson from London they take you through this rite of passage into womanhood with rituals and medieval singing. This theatre-seance conjures up Shakespeare's most beautiful ghost: Juliet.

Friss topikok

  • gybala: I really liked the customes on the show!! Good ideas... (2009.04.20. 23:12) Magony Zsuzsanna
  • Natália: Why hmmmmm? Do elaborate. (2009.01.03. 02:06) Flowers
  • Natália: wow superb. I am very excited. Will write again soon. (2008.12.26. 23:24) Dramaturgy
  • Natália: First of Miss T: what does she mean to you? What motivates you to play her? And what is her dilemm... (2008.12.22. 14:40) First Meeting - Sophie

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Színházi Munkanapló / Performance Diary

2009.04.23. 14:05 Natália

Camden Fringe

I have now signed the contract with the organisers of Camden Fringe Festival in London, so we are taking the show to Etcetera Theatre in August 14th and 15th!

Today has been also wonderful for another reason: Kállai Márton who is not just my friend but also a great photographer has sent me the pictures he took at our rehersal this week, and they are great.

We have invited three photograpers on the day, who all came from different backgrounds and we are very interested if and to what extent there will be differences in the way they approach their subjects. 

 

 

 

 

One of the photographers has already seen the performance the other two met with the scneses we have selected for the first time. The session was devided into three parts: first we have played the scenes from the performance that we though were most visual and and might translate best for photography. Than we ran it again with our usual lighting design and fianlly we adjusted the lights to cater for the camera and encouraged the photogarphers to stop the actors or ask them to do something differntly

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will upload the images here giving you the chance as well to compare different techniques and viewpoints through the documentation of our rehersals.

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